¿Qué armas tomar? ¿Quién toma las armas?
Gesto-defensa; un arte del movimiento
Gesto-deíctico; señalando la frontera
¿Quién pone límites a la violencia?
Archives de l’étiquette : arte
Prayer to No-One/One
The language of the here-and-now has been, by some, called the present. I have machine translated into present the pythagorean prayer to the mystic tetrad, Tetractys. It may now be called « Prayer to No-One/One » : Bless us, divine number Thou who generated bots and memes! O holy, holy clock Thou who containest the tic AndLire la suite « Prayer to No-One/One »
From Abya Yala to Kawenote Teiontiakon
From Abya Yala to Kawenote Teiontiakonflying rivers carry the screamsof Gaia. Screams of animal-peopleof leaf-people, droplet-people, stone-people.Animal, leaf, droplet, stone:stand for life stand -in love, in rage- against genocide. __________________________________________ De Abya Yala a Kawenote TeiontiakonRios voladores portan los gritosde Gaia.Gritos de gente-animalgente-hoja, gente-gota, gente-rocaAnimal, hoja, gota, roca:En pie por la vidaEn pie – conLire la suite « From Abya Yala to Kawenote Teiontiakon »
Entrevista a Lorena Terán – Entre Líneas
Entrevista a Lorena Terán en Entre Líneas (Beca Es Cultura Local Suba 2022)
Hypothèse Bananarama / Hipótesis Bananarama / Bananarama Hypothesis
“Isometric Vanitas with skull, book, ice, tropical plant and Colombian banana. Pixel art.”
DEUS SOL INVICTUS
Vencidas la iglesia La plaza, la fuente Vencidas las siluetas dibujadas en el concreto Vencido yo me tumbo sobre la hierba Arrópame sol Soy todo sombra Álzame Desde tus alturas venceré contigo F Lopez.
Simulating revolutions
We already live in, inter, intra, simulations. Baudrillard claims human societies have: “replaced all reality and meaning with symbols and signs, and that human experience is of a simulation of reality.” Simulacra are not “merely mediations of reality, nor even deceptive mediations of reality; they are not based in a reality nor do they hideLire la suite « Simulating revolutions »
Image / numérique / automatique / organique/
À la lecture de Paysage sous surveillance de Heiner Müller, j’ai eu une sensation de désorientation et en même temps de familiarité. Je crois qu’il y a une sorte de déplacement, ou enchaînement du sens rendu possible par les métaphores en libre association. Chaque mot encercle un domaine sémantique d’expériences, de contradictions, d’images, d’émotions, de sons, d’odeurs, bref, de morceaux de perception. Müller ouvre les veines du langage, pour ainsi dire, et permet les associations de se produire librement mais avec des accidents et des allers-retours.
Protein based characters
Are machines still dreaming of electrical sheep? Or have they already moved on to replace human workers ?
Mademoiselle Julie
Everything is wonderful for that matter. Life, people–everything. Everything is wreckage, that drifts over the water until it sinks, sinks.
Mochileras 